How long do you paint? I always Gustl painting, see pictures of any artist, but I prefer realistic painting, one that does not have to decipher the view that only hits you, tells you something, I move things and sentiments. Because my business would not let me time, I could not do so until about 10 years, but all empezcomo hobby, therapy and pure taste. It was my family who encouraged me to expose them, first in pubs in the city of Cordoba, then at various cultural centers and competitions. Qutcnicas use? The tmpera, a technique little used now, but she managed things that others do with oil paintings and acrylics. In addition behaves sometimes unexpected, either on paper, cloth or wood, because when it dries it does what it wants, is a challenge. Use lots of combinations and ingredients besides left side and because of the diversity and quality of materials that are in to right now on the market. But whenever I can experiment with elements that I find in my own house, until I look for textures and colors. Culture is the dominant theme of his works? Above all nature. It's so amazing, so perfect, trying to shape it as it is leads me to be very demanding. Look, look, study the living landscape, animals, mountains, sunsets which change second by second and jams one is alike. With the sea is curious what happens to me, because I have not seen jams, but I always paint seduces again. And though I've dabbled in other things always come back to l. One of my exhibition, comprising 20 works, is called Natural, Aheste this nature in its multiple forms. Where to be formartsticamente? I'm self taught, which has no easy task to make known my work, since no one makes a gallery artists. I believe that art has become a business and if the currculum not have names of great teachers and schools is really difficult to make themselves known and much more to sell books or win competitions because they are always the same names as those who earn, that makes us not want to compete more as there are a lot of effort for each work submitted ATRS and that discourages a lot of mainly young men who were freshly out into the world of art. More allde that a work is good or not, I think everyone should have the opportunity to address the criticism of their peers and the Nephites of the public or experts. Always habralguien who likes our work, you feel good and you get to the soul. I think ultimately that's what we are looking for.